Baar Baar Dekho - Download Here (700MB)
I wonder if Katrina Kaif is nice at poker.
In Baar Baar Dekho, Kaif wears an all-encompassing blankness, appearing like a striking yet not altogether realistic waxwork.
She’s an idea, albeit one whose accent-soaked Hindi -- more unbearable than previously -- gets with respect to possible appreciation, and I wager she’d be an unnerving opponent using a card table, one both stealthy and distracting.
Cast in a very film, however, her blessings are less obvious. Particularly that has a co-star mysterious for virtually every acting talent either, in a very film certainly where an feeble script is constructed on constant, relentless revelations with artlessly expository dialogues.
Characters consistently indicate well-known, labelling things to the audience: one points to your Hanuman statue and calls it Hanuman, while women at the Thailand resort highlights a Welcome To Thailand sign any time a guest -- who could be asking which floor he’s on -- asks where he's.
Sidharth Malhotra, who plays protagonist Jai Verma, stands around at the lavish pre-wedding party and tells his bride-to-be that she can have spent all of this funds on vedic mathematics research instead.
Right. That is often a creative decision within the same league as Chitrangda Singh teaching Economics at Oxford inside execrable Desi Boyz. Worse, perhaps, since Jai is really a good article.
The most imbecilic hero I remember in awhile, Jai is usually a math professor perpetually wondering what is happening. A slackjawed dullard, he walks around within a duh state, asking silly questions holding track of his surroundings. Granted, director Nitya Mehra frequently (and inexplicably) pulls the rug out of under his feet, that has a half-baked plot and that is two parts A Christmas Carol then one part Groundhog Day, but there's no excuse for just a hero this dismal and lunkheaded in almost any romantic film.
We must feel that this person is usually a math-obsessed academic, and this his lady Diya (Kaif) is started by hearing numbers multiplied quickly, how Jamie Lee Curtis melted to the Italian tongue in A Fish Called Wanda.
Nothing on this movie accumulates, nevertheless the gist is Jai -- annoyingly tentative and indecisive about marriage, in-laws as well as the woman within his life -- keeps getting jolted ahead into your future where things change anf the husband continues to be same stupid self, struggling to trap up.
It is perhaps all rather excruciating, inspite of the glossy settings along with the casually futuristic detailing, largely because Mehra labours her point endlessly and her tubelight hero never generally seems to be taught a thing.
This is really a hero who, minutes after he first leaps forward soon enough, decides to permit his hair down and chill over the party song.
This is really a hero who, recognising the opportunity for an affair that can wreck a wedding or two, goes ahead and tries against eachother first.
This can be a hero who learns of the once-prosperous friend’s life going awry but doesn’t bother to aid him using a warning.
This is usually a hero who, after assuming per day essential signals wedding ceremony of his son, is stunned to view his wife there.
This can be a hero who makes use of any second-chance since they can be needlessly rude to numerous individuals who may well cross a line inside the future, however are blameless during the time he’s throwing them shade.
This is often a hero who calls his pregnant wife fat then proceeds to generate the automobile drive to hospital information about himself, later preferring to accost a pandit within a corridor in lieu of be there to keep his hand.
And then... he calls himself a genius.
Geniuses will be in entirely short supply on the subject of this production, having a boisterous Ram Kapoor proving the lowest amount of objectionable element.
Comedian Rohan Joshi approximately -- carrying a briefcase right into a hospital only when he wants website visitors to think he’s a banker -- and, with no slightest opportunity to experiment with his comic chops, looks incredulous on the film he’s in. Perhaps he’s distracted with the music, by songs like Kho Gaye Hum Kahan which sound shamelessly like Karen O’s The Moon Song played by using an Amit Trivedi filter.
Characters undergo lots with this film -- the Groundhog Day portion of the script is among the most tedious and also the most contrived -- but none a lot more than the viewers.
Diya, portrayed by Katrina as high-strung and shrill, is -- by my reckoning -- one of the most patient and understanding wife inside the world. Married to a utter idiot, her outbursts are entirely justified, are available what may, she does put program him and consents to loving him. Poor thing. And yet, even in the end of this unbearable film when situations are finally, belatedly being set right, the fool husband complains about her impossible temper.
As if it’s her fault.
Poor show, Ms Mehra. If you might go back with time setting this film right, make something else entirely instead.