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  • Review- Watch And Free Download Baaghi: A Rebel For Love 2016

    Baaghi: A Rebel For Love - Download Here




    Baaghi’ will be the official remake with the Telugu film, ‘Varsham’, which released in 2004. This section of information is important because:

    One - The acquisition on the rights is often a clever ruse to rip-off plotlines using their company films: ‘The Karate Kid’ inside the pre-interval portions, and ‘The Raid: Redemption’ after interval.

    Two - Who the hell remakes decade-old Telugu films anymore!

    Now here’s the one thing: With all that rehashing and mindless “inspiration”, director Sabbir Khan cannot deliver also a watchable film. Whatever little is compelling in ‘Baaghi’ – almost all of it involving Tiger Shroff performing some truly spectacular stunts – is ruined with ear-splitting vocals and awful dialogue.

    To cite one example, a scene inside the film has Shroff’s character, Ronny, enter an underground fighting ring. The scene embodies every action movie cliché – Shroff’s opponent has maimed another fighter, the group is charged-up, etc. To underline the emotion a little more forward, Khan pumps the background music several notches up. In steps Ronny, to loud intimidation from the bunch and the opponent. As the opponent charges towards him, though, Ronny knocks him using a single kick for the face, much to everyone’s surprise (barring the crowd). As he falls to your ground, a silence ensues. The crowd is stunned, the vocals is muted – not really a sound is heard.

    For those few seconds, I experienced the sole thing I needed most during that early Friday morning screening – peace. Too cruel to permit the moment persist though, Khan brought back the sound (noise) by using these gusto, all hope lay shattered.

    Nothing in ‘Baaghi’ is meant to be subtle, which is understandable. Khan’s earlier films were ‘Kambakkht Ishq’ and ‘Heropanti’ (also south remakes – there's clearly a paucity of ideas at producer Sajid Nadiadwala’s office), in case you’ve been able to sit through even one, you’ll know even campy 1980s actions dramas seem modern in comparison to Khan’s filmmaking style. The plot, unoriginal which is, is not just a problem itself. Considering the film has Shroff within the lead, the reasoning is right – to infuse fighting techinques into a readymade (childish) storyline to increase the lead hero’s abilities on the watch's screen.


    Thankfully, ‘Baaghi’ is able to get the action right, because of Shroff’s innate talents. A good amount of screen time is devoted to Shroff displaying moves he showed-off during his debut film, performing somersaults, flying kicks and graceful stunts with élan. Action drives the narrative, especially within the second half where pretenses of attempting to tell an article are dropped.

    The rest is pure trash. Writer Sanjeev Dutta’s job was rather easy – the events with the Telugu original are replicated here, but nearly all of it so silly and amateurish, there’s daft wasting time on “plot”. Shraddha Kapoor is impressively focused on her role of the annoying girl who seems like she’s laughing in emotional moments, and crying in funny ones. She talks for the clouds if this stops raining – “Barso, barso na” – much for the amusement of Shroff, who clearly determined early on he’ll must smile his way throughout the drivel to get to your good parts.

    It’s obvious why the actor has were make a talk with audiences (he hasn’t experienced a release since his debut film arrived on the scene in 2014, yet there’s sufficient buzz for ‘Baaghi’): the guy has got the kind of boorish charm his father Jackie Shroff displayed in a few of his earlier films, as well as the “action hero” quality of his parent’s namesake – a clear Mr Chan. Not the top actor either, Jackie Chan endeared himself to audiences with easygoing charisma along with a lovable action hero persona for up to two decades. It’s a location Tiger Shroff can fill effortlessly, in an exceedingly “Hindi fillum hero” way.

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  • Full Track -Calvin Harris & Rihanna-'This Is What You Came For' 2016

                                                     This Is What You Came Full Track Download Here



    This Is What You Came For is the new single song by Scottish DJ, singer Calvin Harris with Barbadian singer and songwriter Rihanna which is expected to release via itunes this Friday 29th April 2016 Digitally. Earlier Wednesday, Harris vaguely teased info on the new track. The track is currently slated to release, just days after Drake is expected to release his highly anticipated album, Views From the 6

    This is the second time both artists collaborated in a song, the first time was with the worldwide hit “We Found Love”, released back in 2011. Harris also produced Rihanna’s smash hit “Where Have You Been”, but he wasnt credited as a featured artist. Rihanna joined Harris on stage at Coachella during Weekend 1 to perform their smash “We Found Love” to a crowd that included Taylor Swift and Lorde.

    It’s been a busy week for music fans around the world, that’s for sure, as Beyonce dropped her sixth studio album, Lemonade, over the weekend after her HBO special visual presentation.

    We do wonder why the Scottish DJ Calvin Harris and Rihanna didn’t release the single when she put in a special performance at the Coachella Festival, though! It would have been an extraordinary atmosphere to hear the new single!

    We are still not sure whether the single will be part of a Rihanna album later on or Harris’ upcoming album, which he is working on after “Motion” in 2014. Whichever place it lands, we are sure it will climb the charts as always when it comes to a Rihanna-Harris production! Rihanna’s last album “Anti” dropped in January, 2016.

    While we have yet to hear a snippet or preview of the record, Calvin did share the song’s artwork earlier today on twitter along with the announcement. Tweeted “.@Rihanna and @CalvinHarris team up again for “This Is What You Came For”. Look out for the new track this Friday!”

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  • Watch And Download Free Game of thrones S06E01 HDTVRip 720p Eng

                                                    Game of thrones S06E01 HDTVRip - DOWNLOAD HERE


     President Obama may have been the only individual formally enabled to see season six of Game of Thrones ahead of its scheduled broadcast – but, in a display of estimable egalitarianism and ineptitude, an early leak has inadvertently let countless other people in on the fun.

    The first episode of the hotly anticipated new show, which is expected to premiere at 9pm tonight in the US (2am UK time) was wrongly made accessible online for a couple of hours, according to various internet fan threads. First posts seem to blame a Canadian site that is streaming while some websites are asserting that HBO were responsible for the leak.




    Either way, the season opener that was leaked has now been taken down – but not before several enthusiasts managed to see it and post multiple plot spoilers on IMDB and on a Reddit thread.

    While many discounted the claims as a hoax, it appears as though the spoilers– some of which are backed up with display catches that is alleged, posted on the image-sharing website Imgur and accompanied by French subtitles – may be genuine.

    If you do’t desire to know anything at all about the revelations, we propose you click away now, and read this interview with the lovely Iwan Rheon (aka flay-happy Ramsay Bolton).

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  • Full Album - Beyonce's 'Lemonade' 2016



    Lemonade Full Album Download Here

    When Beyoncé ambushed unsuspecting listeners with her fifth solo album in 2013, it showed her mastery of the levers of power in today's pop landscape. At a moment when a star's every move ends up on Instagram for all to see, she managed to assemble an entire album – with accompanying visuals – in secret.


    Beyoncé is showing her cards a little more this time around – though the release of "Formation" in February was another guerilla strike, it alerted the world to the prospect of more new music from the singer. Earlier this month, she teased something called Lemonade on Instagram. She stoked the fire with a short traileron HBO for the visual filled with agitated bursts of noise, flickering lights, and vague voiceover pronouncements: "The past and the present merge to meet us here." No one knew what the "World Premiere Event" would include, but everyone knew it was coming.


    When Lemonade arrived on Saturday night on HBO, it turned out to be another visual album. The music is now available on Tidal; here's a breakdown of the hour-long special.

    Lemonade is a visual album – a number of music videos offset by chapter titles like
    "Intuition," "Denial," "Apathy," "Emptiness" and, eventually, "Resurrection" – connected by a voiceover from Beyoncé reading poetry by Warsan Shire.

    Story Arc:
    Lemonade traces a story of infidelity and reconciliation. It starts with Beyoncé questioning her relationship. "Are you cheating on me?" she asks the viewer. When the evidence of unfaithfulness becomes conclusive, her first move is protest – "They don't love you like I love you," she intones – followed by anger: "I'm gonna fuck me up a bitch," she says gleefully in one song, baseball bat in hand. (Later she adds, "You ain't married to an average bitch, boy!") But after she appears to cut loose from an untrustworthy partner – "Me and my baby gonna be alright, we gonna live a good life" – the tale shifts towards cease-fire and reunion. The hour ends with shots of happy couples and an assertion that our heroine will move forward. "My torturer became my remedy," Beyoncé explains. "So we're gonna heal. We're gonna start again."

    On her way through the relationship plot, she also tells a story about the experience of black womanhood. A snippet pulled from a speech by Malcom X declares, "The most disrespected person in America is the black woman. The most unprotected person in America is the black woman. The most neglected person in America is the black woman." Men are almost entirely absent from the film, physically and emotionally; in their place, large groups of women appear again and again, presenting a united front of solidarity and sisterhood.

    Lemonade riffs through a number of settings, but most of it is resolutely southern – a plantation house, muggy porches, a short portion where Beyoncé rides horseback, references to New Orleans, swampy scenery. Flames are another recurring motif: early on, the singer stares down the camera as everything behind her explodes; later, she poses regally behind a low wall of fire. Tunnel imagery appears frequently as well – Beyoncé sings one song at the end of a long brick passageway, and the camera often creeps slowly and evenly down hallways, building tension as it might in a horror film. Beyoncé handled some of the direction herself, along with Kahlil Joseph, Melina Matsoukas, Todd Tourso,
    Rikayl Rimmasch, Jonas Akerlund and Mark Romanek.


    Beyoncé pulled in a number of high-powered black women to help her withLemonade, a group that includes the tennis star Serena Williams, the young actresses Quvenzhané Wallis and Amandla Stenberg, and the actress/singer Zendaya. Sybrina Fulton, mother of Trayvon Martin, and Lesley McSpadden, mother of Michael Brown, are also featured. Jay Z and Blue Ivy both appear in the later parts of the short
    film, when the story is focused on reconciliation and future happiness.

    Some guests are also heard, but they are not seen. The Weeknd provides a vocal during one song, and James Blake contributes to another. Beyoncé uses a prominent samples of Isaac Hayes' "Walk On By" and a speech from Malcolm X; she also honors Nina Simone, letting the singer's voice drift from a turntable without any manipulation. Though Kendrick Lamar is featured on the album, he didn't rap during the visual presentation. 

    The music in Lemonade is mostly a step away from the bunker-busting power of Beyoncé and follow-up singles like "7/11" and "Formation." The trap-inflected percussion that dominates modern pop is mostly absent, in fact, a number of tracks in the film are
    spare piano ballads, mostly keyboard and layered vocals. One song approximates the country blues, with an interjection by a jaunty brass band; there are injections of snappy funk and rock gospel; one slick . When Beyoncé is reveling in her anger, the soundtrack approximates a spirited bar band cover of Led Zeppelin, and she sings as if gargling gravel.

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